ntrast to the two former prisoners, who are both elderly men. Vann Nath, who was made to paint portraits of prisoners, has a full head of white hair. The guards and interrogators give a tour of the museum, re-enacting their treatment of the prisoners and daily regimens. They look over the prison's detailed records, including photographs, to refresh their memories. At one point, Vann Nath directly confronts his former captors about their actions, but they counter that they themselves were also victims, being little more than children at the time, and hold themselves blameless.

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